I went to the gallery today to take some shots of my piece in the show. I really need to get myself a better camera so I don't have to continue to borrow the ones from the school (which don't come with manuals). Or I could learn how to use Photoshop since most of my trouble was with colour balance and light. Anyways, here they are with most of the rest of the show in the bunch as well.
The show is up until the 26th... Galerie Diagonale 5455 Rue de Gaspe Montreal, QU
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Tomorrow, Tomorrow, Tomorrow
performance, production, presentation, repeated utterance, reiteration, reproduction, copy, replica, redundancy, iteration, practice, relation,renewal, litany, repeat, emphasis, monotony, preparation, convention, usefulness, assignment, background, discipline, catalogue, petition,refrain, prayer Galerie Diagonale, 5455, rue de Gaspé, espace 203, Montréal, March 12 - 26, 2011 (vernissage March 12th 2p.m. to 5 p.m.) ::DIAGONALE:: Continuing on from my last post, I'd like to share a bit more about the process of this project. Firstly, I am super impressed that my family filled 30 pages in a sketchbook with line rubbings, especially seeing as the sketchbook had to travel from Montreal to Vancouver and then Hawaii. They only had about a month and a half in total to do this and get it back to me in Montreal. On top of each having to do over 30 line drawings they also had to record (in an organized fashion) what objects were below the paper on each numbered page. Everyone's object list was indicative of their personalities, interests and passions. My mother's list was saturated with religious paraphernalia (rosaries, palm leaves, baptismal gown) and my Father's with work related tools and materials; fine scroll stucco, saw, wrench, as well as some hobby related items; Moose-mate call cassette, blues chromatic harmonica, sports watch. My brothers were a little less thematic, but no less interesting. A few of Michael's were; broken sunglasses, pool key, fork, guitar strings. And Davids; Hand, bacon toy, phone, Christmas lights and shark key chain. It wasn't required for everyone to do a different object rubbing for each page (My list was short and simple since I repeated the same six textile related objects; block print, yarn, ceramic buttons, thread and embroidery hoop) but my mom told me that my Dad insisted that he do so with a total of 30 items saying that it wasn't 'creative' enough if he didn't. I love it! Below are a few the original line rubbings before I added my lines. The acetates in the finished project are complete with my lines though, I just haven't had a chance to scan them again. I'm applying to a few shows with this series so hopefully I'll have a chance to better photograph them. The above picture was the only face-on shot that I took. The process of documenting is something that really interests me. Also, I am realizing more and more that I am a process based artist. For me so far this means that the process of making my art often dictates how my ideas evolve and sometimes -like with the installation above - is how the concept is conceived. When I first began doing line rubbings my mother-in-law was visiting us in Montreal. As she watched me use various objects she got more and more excited about what else I could use and began passing me textured items like tea towels and lace pillow cases to rub. That's when I got really excited about the idea of making more line rubbings, but with other people involved in the process. It was as if I was creating abstract evidence of our relationship. Right away I knew that my first collaborative line rubbing project would be with my family for the purpose documenting our family relationships and celebrating our interconnectedness. These pictures are line rubbings which have been layered as acetates to make a series of sculptures. The unique thing about these rubbings is that they were a collaborative effort by my Mother Fiorella, Father Russell, two brothers Michael and David and myself. Every page has one line by each member in my family making each page a family portrait of sorts. Each member used objects of their choosing with pencil on paper. When layered they create dynamic family sculptures, interlacing each story in ways which allows them inform and augment the meaning of each others stories. It was such a joy to connect with my family in this way in a time when we are all dispersed throughout North America. The common act of creating lines in the same book brought us together in such a unique way. The sketchbook traveled from Montreal to Vancouver then to Hawaii, back to Vancouver and finally to Montreal again where I finished the sculptures. In another post later this week I'll share more about the objects that were used by everyone - it was really interesting to see themes in each persons object list. Some of the items made me laugh too like my Dad's Moose-mate-calling cassette tape. I'll also share the original line drawings which are really interesting on their own. I'm really looking forward to working more with these. I already have an idea in mind which involves printing the lines on fabric to make a soft sculpture representing my mother; the matriarch. |
About me:
I'm a west coast Canadian gal who after completing a BFA in Fibres at Concordia University in Montreal moved to the New York metropolitan area where I am pursuing my art practice while learning the ropes of motherhood.
June 2021
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