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Excavations
2012
NATURAL DYES ON SILK AND WOOL, MAGNETS, COTTON
In my current practice the process of forming is as pertinent as the formed. I’m interested in how the story of my making as well as the history of the processes I use play into ideas surrounding the final product. The three wall sculptures in this installation are made up of records of their own deconstruction, and the accompaniment of the entire body of research that lead to their inception attempts to insert a (chronologically undetermined) chapter.
In my current practice the process of forming is as pertinent as the formed. I’m interested in how the story of my making as well as the history of the processes I use play into ideas surrounding the final product. The three wall sculptures in this installation are made up of records of their own deconstruction, and the accompaniment of the entire body of research that lead to their inception attempts to insert a (chronologically undetermined) chapter.
