silk devore 03/19/2010
I constructed this garment on a dress form using silk/rayon fabric (with a little of lycra for stretch) which I dyed with mineral vat dyes. The golden fabric shows a repeat pattern of a hand-drawn lotus-like ogee that I made into a silk screen and utilized to manipulate the fabric with a devore technique. I finished with delicate silk french knot details across the neckline. Add Comment shag dress 03/17/2010
I hand-wove this dress using traditional Turkish rug weaving techniques with hand-spun and dyed merino/angora yarn. I implemented my newly acquired shape building and pulled warp techniques and was able to weave the entire dress in one piece (adding darts) on the loom without having to cut any shapes out after. My inspiration came from this Vancouver sky photo I took and played around with in Photoshop. I choose to create a dress as an exploration of the boundaries of what inspires us to dress the way we do. Since cloud formations and the changing colours and shapes in the sky drive me to be creative in other mediums, I wondered if it would be SO crazy to create a sky garment. See 360 degree photos here and process photos here Jacquard weaving 03/10/2010
This is the design I created for my first Jacquard weaving. It is derived from a 17th century sketch of a man's interpretation of the 'topsy turvy' nature of the world if it were run by women. The scene is occurring in a spinning room where women would congregate on a daily basis (originally for the purpose of conserving light sources like candles and wood for fires). I drew the spindle and distaff image seen in the background and used it in a repeat network to reference the spinning room as well as the act of spinning and it's relationship to the sexual imagination of a man (which, according to my reference image, involves a lot of spanking and aggressive making out to the point of knocking large objects over.) With this type of weaving I design my image and scan it into Photoshop to do some tweaking as well as assign different weave structures for different shades of grey (a process which can take several hours to get just right) and then program it into a computer which tells the loom which heddles to lift. When I weave this image I will only need to press on one treadle with my foot, and as I through the shuttle the image will slowly appear. I think that the figures in this image look a little cut-and-paste but am hopeful that they will translate more effectively in the form of cloth. Corrie Peters 03/04/2010
My good friend Corrie collaborated with Hideki Kawashima for this masterpiece.
www.corriepeters.ca |
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